Squeak, squeak, squeak. Finger noise, whether you like it or not is part of the guitar sound. How much or how little is present can be controlled by the player but it is pretty darn difficult to get rid of it all together. It seems like in the past couple of decades that in the classical guitar world, string squeaks are something to be avoided. As a contrast I often see and hear steel string players embrace the sound as part of the guitar experience. I think both points of view have good attributes, however, I side more on the squeakless end of things. I think that it can be disturbing to a musical line, and when a player isn’t mindful of how they shift it can sometimes be a very loud noise.
So you if you want to join the squeakless, read on and we will have a look at a couple of techniques to get rid of them.
Be aware.
The first, and most important technique is actually being aware that the finger noise is there. A lot of players have just tuned out to that squeaky sound and think nothing of it. So, as a self-diagnosis, grab a recording device and have a listen to how noisy you are. The squeaks are going to occur on the bass strings because they are wound, and the callus on the tip of your left hand finger grates against the ribbed surface of the string. It is amazing how much of a reduction there is as soon as a student realizes she is making finger noise, so first port of call is to listen actively.
Lift baby, lift.
Perhaps the simplest way to get around these string squeaks is simply to lift and shift. By lifting the left hand finger you are avoiding the drag along the string. HOWEVER, you have to master the movement of lifting straight up before the shift. If you are shifting upwards and you do indeed lift to avoid string sound you have to do it straight up and not on an angle. The angle happens because you are lifting and shifting at the same time, when in fact they need to be two distinct movements. If they are not two separate movements, then there will still be sound.
The best way I can describe it is like a machine making auto parts. The mechanical arm comes down, welds some metal, rises back up and moves to its next task. It doesn’t rise and move at the same time. Try playing a one octave scale, any scale, on a bass string (fourth, fifth, or sixth string) and focus on making zero finger noise on the shifts. Be very clear about the lift THEN shift.
Sweet pad o’ mine
More of a noise reduction than a noise cancellation, you can help string noise by shifting along the string with soft pad of your finger rather than the callused tip. The tip of your finger is hard because you have been doing oh so many hours of practice, and that tough skin makes a loud noise on the string. If you try and slide the pad of your finger along the string you will notice that it is actually less noisy. So, if you can’t avoid the slide along the string (perhaps you are using the finger as a guide finger) then rotate your finger a bit so that you can shift on the pad rather than the tip.
Sell out
Not a technique, but definitely an option, you can buy polished strings. These strings have been lightly polished so that the ribbed surface of the string is smoother than normal. These are great for recordings, so you don’t have to edit out so many zips and squeaks. The downside is they are not going to get rid of your squeaks completely; they have a short lifespan for string-killers (those of us who manage to make strings sound dead in a couple of days) and also the cost quite a pretty penny.
So, there really is no excuse for excessive string noise these days, unless you’re into that sort of thing…
Got any tips of your own? Write them in the comments below:
In the 1970’s Christopher Parkening claimed to rub his finger tips on his forehead, prompting guitarists to join the great unwashed.
Yes, I’m glad you said that. I’ve also heard having oil on the guitar to dip into.
I find with my high gloss coat I store exces oil from my fingertips as I play. I wipe the strings down too at the end to keep the oil from clogging and deadening the base strings. I think the oil helps soften the callouses, though these techniques should prove reliable.
why dont they make all nylon strings??
Live performances have turned into a torturous listening experience thanks to the squeakers.
If only more musicians would work on reducing the cacophony.
Thanks for trying to spread the word and offering suggestions.
I don’t mind hearing squeak on guitar. A lot of the Beatles album you can hear them also from Jimmy Pages playing and Stephen Stills. I think it sounds cool.
Some of the Elixir strings seem to help cut some of the squeak they have a coating on them.
I’d find out what, if ANY, kind of oil the fretboard should be treated with, and then put a drop on your fingertips.
There are some fretboards which are damaged by use of any oil. I would assume that includes the acidic and gunky ‘forehead grease’.
Some hand creams can eliminate squeaks. I used to use one called Scott’s, but can’t find it anymore.
I tried baby oil and it made the squeaks louder.
Its so bothersome to me after playing since 1963 I have decided to quit the guitar or go nylon if the would just not wrap the bottom two nylon strings. But there are far more players who never make that hideous noise
than those who do 10 to 1 Any more when I hear that swueek and the Iron brassie sound of the bottom three stings it causes me to detest the insturment that I once loved. I am sure someone could develop such a string but dont believe that some like this srceechy sound. Teflon coating on strings would help and its sold in soray cans. I yse it on my micro screen shaver and it can last me almost 3 years ( the secret is dont brush off the old wiskers just blow them off ) your shave will not be as close but replaceing the screen and blades is a racket they wantbyou to just buy another shaver Remington must have 100 models that no blades are available . So always have a clean shaven face and silent make sliding bar chords and skip the tatoo fad nothing will look cool in 5 years as the bluer and smear. the only one that I liked was a tattooed push lawn mower on a bald head.
I think the design and makeup of wound strings, especially on steel string (which are actually some blend of brass/bronze) acoustic guitars is what gives them their particular, desired sound. This “cymbal” sound can really be exploited while using a flat pick to play rythm as the pick slaps the strings. A wound string cuts the air like a plain one can’t. Flat wound strings, as used sometimes by jazz players, wouldn’t sound the same on an acoustic steel string. I think rather than redesign the strong, or use some kind of “lubricant” is not as good as improving playing technique,using lift and shift as described in this article. Thanx for sharing.
Why do some of the top guitar players in the world allow it in their recordings … detracts from quality terribly !